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05/28/2003 8:20p PT
Duane Leyva - Reviewer

The Lone Star state shines another star on Sally Semrad's debut album, Left of Me. Texas born and raised, Sally Semrad brings to Stanley Recordings a somber and stellar tone arranged with phenomenal studio musicians (Yortoise) and a remarkable Independent producer in John Would of Stanley Recordings.

What’s remarkable about Sally Semrad's Left of Me is not only her warmth and passion that comes through but also the significant job that the producer, John Would has accomplished. Production is a highly crafted art that seems to have been lost in the modern recording industry. To hear seemingly unused old techniques of Abbey Road Studios and Phil Spector enjoying a renaissance of sorts with the use of echo is a treat.

Additionally, utilizing well polished and creditable musicians in this production, it’s no wonder that he has received accolades for this album's beauty. But it takes a special artist to create that magic. Sally Semrad with her candid lyrics and incredible voice combines to make one of the best Independent albums of the year.

If you want to hear that old Texas sultry part of Sally Semrad's vocals ignite then listen to "Walk a Mile" that is built upon the haunting background of a Danelectro guitar. When the crescendo finally builds, it marks this song as an exemplary piece of work. "Inconsequential Song", the 4th cut is really a beautiful piece. Sally Semrad's vocal tones on this song is so warm and comforting. Assembled with very tight drum beats by Amy Wood and an exceptional mix, this particular piece just may get lots of air time on the radio.

"Too Late" is my favorite piece. Incorporating a mandolin guitar, played by John Would with acoustic guitars in the background, Sally Semrad's joyous soft voice make this an otherworldly song.

One has to admire this recording as well as the mix of the set as it is essential to the quality of what is heard. For the guitar enthusiast, the title track, "Left of Me" reveals the incredible and admirable tones of the Danelectro’s sound. Include amazing lyrics by Semrad and you have another killer song. Track 3, "What’s Happening", is a production that grabs you. You cannot help but be enthralled by the clarity. You can actually hear the beans roll in the maracas.

Overall, Sally Semrad's debut is a great recording with substantive guitar work complementing an already gorgeous voice. Lyrically, musically and vocally, Left of Me becomes an exception to the myriad of female vocalists issuing musical statements.

Sally Semrad is a diamond. To have an independent label like Stanley Recordings producing makes it even more special. I'm very glad to see independent labels doing more than the big Corporate labels. Great job, Sally! Continue on with your timeless music.


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212 Frech
FC1810

Sally Semrad
Left of Me

Released: April 1, 2003
Origination Year: 2003
Time: 1:02:42
Tracks: 14
Produced by:John Would
Engineered by: John Would
Mixed by: John Would
Mastered by:Joe Gastwirt
Style: Studio
Format: CD
Enhancement: None
Label: Stanley Recordings
Website:
www.stanleyrecordings.com

Sally Semrad:

Sally Semrad:
Vocals/Guitar/Bass

Amy Wood:
Drums

Ira:
Bass Guitar

John Would:
Guitar/Bass/Keyboards/Optigan/
Accordion/Mandolin/Percussion

Track List

  1. Come Down
  2. Left of Me
  3. What's Happening
  4. Inconsequential Song
  5. Days and Nights
  6. Grace of Angels
  7. Water Standing
  8. Too Late
  9. Unbreakable
  10. Walk a Mile
  11. Fine
  12. Johnny Valentine
  13. Sacred Things
  14. Take Care