Several Sundays ago, I attended an Orange County (CA) Record show located at a Union Hall in Buena Park with Bob Olsen. In my attempt to regain a footing in LPs, lost so many years ago in a move from IL to CA, I have begun to pick up LPs here and there. I thought a trip to a Record show like this would help it even further. What I discovered went beyond the casual visit.
I recently read an article written by an ex-music store owner, who missed the thrill of being everything to his customers. But because of the changing times, the store failed leaving the writer unemployed and without a certain future, only a missed past. One of the things that he missed was the ability to communicate with folks who stopped by. Some asked for musical advice, some asked for a “fill in the blanks” request for a song heard, while others just enjoyed the atmosphere. I empathize with this as this is an atmosphere that I greatly missed not only from my “corner” shop but also from the myriad of other stores that I visited.
Walking up to the first vendor, whose stock contained a large helping of progressive music, I engaged the man behind the table in a conversation about the musical perfection of Departures From the Northern Wastelands by German synth composer, Michael Hoenig. We discussed things until we decided that another band should be discussed and we went down those roads. I left him with some thoughts to ponder just as he left me with some.
I then moved onto other tables where I found – and purchased – a growing batch of LPs, replacements of titles that I had long ago moved away from. And I picked up more than a few. A red vinyl pressing of Bloodshot (J Geils Band), a subsequent pressing of School’s Out by Alice Cooper, a copy of that Michael Hoenig disc that one, poor mistrusting potential buyer passed up on, and more. I learned to pay closer attention to the LPs that I purchased. Had I been more vigilant, I would have not purchased the copy of School’s Out that I did as I got one with a standard jacket. The one that I wanted was a die-cut, lift-up desk with the vinyl protected by a plastic sleeve and held in place by pink, paper panties. I realize that the pink paper panties wrapper might be a hard find but the die-cut jacket should be a must pick-up. And I blew that. Even the label was different. It should have been a solid olive-green label with the WB logo and it is something that I don’t even remember. Oh well…live and learn, right? But I plan to attend another show, this time wiser and more diligent. And with more cash.
It was great fun to thumb through those albums again.
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I've come up with a few reviews that includes Sax For Stax by Gerald Albright, as well as the 30th Anniversary 2CD/1DVD Limited Edition Box for The Stranger by Billy Joel.
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